Nausikaä El-Mecky

Member since 2017
born 1983
subject: History of Art

Contact
Heidelberg School of Education
Voßstraße 2
69115 Heidelberg

Curriculum Vitae

since 2016

Expert European Commission: Creative Europe
since 2015

PostDoc Cultural Heritage Cluster, Project heiEDUCATION, Heidelberg School of Education – Heidelberg University & Heidelberg University of Education
2012 – 2015:

Various academic, commerical and creative roles as a freelance art historian, including: lecturer FU Berlin (FUBIS); Academic researcher and PR Consultant, project OPuS (Open Access Publishing Services; editor-in-chief of international platform and magazine fineartmultiple; Curator for Verein Berliner Künstler and for Marginalia // Los Angeles Review of Books as well as consultancy and PR for various nationale and international galleries and museums
2009 – today

Course Director, A Journey through Dutch Art, Utrecht Summer School, the Netherlands
2013 – 2014:

Fellow, Project Bildakt und Verkörperung, Humboldt University Berlin
2007 – 2013:

PhD, University of Cambridge, Art History.
2006 – 2007:

Mphil, University of Cambridge, Art History.
2003 – 2006:

BA (Hons.) Liberal Arts and Sciences. Tracks in Art History, Literature, Journalism, Anthropology, and Creative Writing at University College Utrecht, the Netherlands

‘Targeting Saddam’s Sculptures: Recasting Artist and Monument in Armed Conflict’

in: Bildergewalt (vorläufiger Titel), Michael Imhof Verlag, Petersberg, 2018.
‘Zerstörung vom kulturellen Erbe (vorläufiger Titel)“

in: Historische Sozialkunde, April 2018.
Inexistent | Unsichtbar | Imaginiert: Digitale Rekonstruktionen als Vermittlungsformate in der Archäologie am Beispiel von Palmyra

in: Fotografie + Archäologie (Themenheft) Beiträge zur Geschichte und Ästhetik der Fotografie, 2017.
‘Interview and Review of Socle du Monde Biennal, Denmark (vorläufiger Titel),’

in: Apollo, the International Art Magazine, April 2017.
“I cannot bury myself with my own hands: the self-censorship of the Syrian cartoonist Fares Garabet,’

in: Apollo, The International Art Magazine, Dezember 2016.
Subtle Censorship?

in: Marginalia / Los Angeles Review of Books, Oktober 2016.
Inside the UNESCO conference to save Syria’s heritage

in: Apollo: The International Art Magazine, Juni 2016.
‘Things I’ve Seen – Loyd Grossman’, Multimedia Publikation

n: Los Angeles Review of Books | Marginalia, Juli 2015.
‘Polemic – The Vatican Pavilion at the Venice Biennale’

in: Art and Christianity Enquiry, März 2014.
‘Art in Nazi Germany’

in: Smarthistory at Khan Academy, Februar 2014.
‘Monuments men are all the rage, but we’re still afraid of Nazi art’

The Conversation (leading article), Januar 2014.

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