Foto: Julia Malinowska | juliamalinowska.com
Nausikaä El-Mecky
Member since 2017
subject: History of Art
Contact
Universitat Pompeu Fabra
Carrer de Ramon Trias Fargas, 25-27
08005 Barcelona - ES
Curriculum Vitae
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since 2018
Tenure Track professor Art History, Universitat Pompeu Fabra, Barcelona
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2017
Maria-Gräfin von Linden prize
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since 2016
Expert European Commission: Creative Europe
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since 2015
PostDoc Cultural Heritage Cluster, Project heiEDUCATION, Heidelberg School of Education – Heidelberg University & Heidelberg University of Education
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2012 – 2015:
Various academic, commerical and creative roles as a freelance art historian, including: lecturer FU Berlin (FUBIS); Academic researcher and PR Consultant, project OPuS (Open Access Publishing Services; editor-in-chief of international platform and magazine fineartmultiple; Curator for Verein Berliner Künstler and for Marginalia // Los Angeles Review of Books as well as consultancy and PR for various nationale and international galleries and museums
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2009 – today
Course Director, A Journey through Dutch Art, Utrecht Summer School, the Netherlands
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2013 – 2014:
Fellow, Project Bildakt und Verkörperung, Humboldt University Berlin
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2007 – 2013:
PhD, University of Cambridge, Art History.
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2006 – 2007:
Mphil, University of Cambridge, Art History.
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2003 – 2006:
BA (Hons.) Liberal Arts and Sciences. Tracks in Art History, Literature, Journalism, Anthropology, and Creative Writing at University College Utrecht, the Netherlands
Activities
Publications
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‘Targeting Saddam’s Sculptures: Recasting Artist and Monument in Armed Conflict’
in: Bildergewalt (vorläufiger Titel), Michael Imhof Verlag, Petersberg, 2018.
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‘Zerstörung vom kulturellen Erbe (vorläufiger Titel)“
in: Historische Sozialkunde, April 2018.
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Inexistent | Unsichtbar | Imaginiert: Digitale Rekonstruktionen als Vermittlungsformate in der Archäologie am Beispiel von Palmyra
in: Fotografie + Archäologie (Themenheft) Beiträge zur Geschichte und Ästhetik der Fotografie, 2017.
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‘Interview and Review of Socle du Monde Biennal, Denmark (vorläufiger Titel),’
in: Apollo, the International Art Magazine, April 2017.
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“I cannot bury myself with my own hands: the self-censorship of the Syrian cartoonist Fares Garabet,’
in: Apollo, The International Art Magazine, Dezember 2016.
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Subtle Censorship?
in: Marginalia / Los Angeles Review of Books, Oktober 2016.
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Inside the UNESCO conference to save Syria’s heritage
in: Apollo: The International Art Magazine, Juni 2016.
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‘Things I’ve Seen – Loyd Grossman’, Multimedia Publikation
n: Los Angeles Review of Books | Marginalia, Juli 2015.
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‘Polemic – The Vatican Pavilion at the Venice Biennale’
in: Art and Christianity Enquiry, März 2014.
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‘Art in Nazi Germany’
in: Smarthistory at Khan Academy, Februar 2014.
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‘Monuments men are all the rage, but we’re still afraid of Nazi art’
The Conversation (leading article), Januar 2014.
