Miriam Akkermann

Miriam Akkermann

Member since 2015
subject: Musicology/Sound Art

Technische Universität Dresden
Institute of Art and Music
01062 Dresden

Tel.: 0351 463 40 391

Personal web page

Curriculum Vitae

Research Areas

  • electro-acoustic musik

  • algorithmic composition

  • improvisation

  • computer music


Curriculum Vitae

  • since 04/2019

    Junior professor of empirical music sciences at Dresden Technical University

  • 2014-2019

    Academic Counsellor, Institute of Media Sciences at University of Bayreuth

  • 2015

    Project „Historic performance praxis in computer music“

  • 2014

    PhD Musicology at Berlin University of the Arts

  • 2011-2013

    Elsa-Naumann Grant for Young Researchers, Berlin

  • 2011

    Researcher at CNMAT, University of California Berkeley (USA) and IRCAM, Paris (F)

  • 2009

    Grant by the Leo Baeck Institute New York (USA)

  • 2008

    Magister Musicology, approved by Berlin University of the Arts

  • 2008

    MA Music and New Technologies, C. Monteverdi Conservatory Bolzano (I)

  • 2006

    Degree in flute, C. Monteverdi Conservatory Bolzano (I)

  • 2005

    BA Advanced Design, Free University of Bolzano (I)

  • 2001

    Journeyman's certificate in carpentry


  • Historic performance practice in computer music – necessity or outrage?

    in: KEAMS (Hrsg.), Proceedings of the KEAMS annual Conference, Seoul 2014, S. 93-96

  • COMPUTER NETWORK MUSIC – Approximation to a far-scattered history

    in: EMS Proceedings (23.10.2014)

  • The computer as a part of the network ensemble: Georg Hajdu Ivresse '84

    in: KEAMS (Hrsg.), Proceedings of the KEAMS annual Conference, Seoul 2013, S. 39-42, U?berarbeitete Version in: Emille Journal, No. 11, Seoul 2013, S. 7-11

  • Contacts Turbulents by David Wessel. An analytic approach from a musicological point of view

    in: ICMA (Hrsg.), Proceedings of the International Computer Music Conference ICMC 2013, Perth 2013, S. 232-235

  • Die Kunst sich zu beschränken

    in: Dagmar Jäger, Vera Franke u.a. (Hrsg.), Künstlerische Transformationen, Reimers Verlag, Berlin 2010, S. 162-169

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